Preston Badgley
12 February 2016
ENC 4416
Professor Dan Martin
Rhetorical
Analysis:
How
TV Tropes Effectively Caters to its Userbase
"A story's
ending may come as a surprise to the reader, suspense may have the reader on
the edge of the seat, and conflict may lead to unbearable excitement. It is the
job of the writer to create these effects..." (Bulman Abstract)
Introduction
TV Tropes is a wiki
style website entirely dedicated to the categorization and classification of
tropes in popular culture. Merriam Webster defines tropes as "figures of
speech" (Merriam-Webster). However to the creative writer a trope is more
than that, tropes "are more about conveying a concept to the audience
without needing to spell out all of the details (TV Tropes)". In other
words, tropes are devices or writing conventions that exist in a person's mind
due to some sort of pre existing knowledge implanted by previously consumed
media or as set by society or a community. Examples of tropes would include the
action of outrunning a fireball in a movie, elemental weapons in an RPG, the
concept of star crossed lovers in a novel, or how the villain always seems to
give long winded monologues that give the protagonist just enough time to think
of an escape plan. This is where the problem lies, as while these concepts
undoubtedly exist, their inherent abstract nature may make it hard to
categorize them. As such, a community is required for the categorization and
cataloging of tropes. This is where the website TV Tropes comes in, as it
serves as a hub for all those interested in the concept of tropes and their
usage. As stated before, TV Tropes is a wiki style website. This means that it
is easy to contribute to the site. However TVTropes manages to keep such a
abstract concept straightforward, goes to great lengths developer side to
streamline the end user experience, and provides a way for users to be active
continued contributors to the website in some way or form.
Landing
Page
The first thing that
catches the eye when first accessing TVTropes is a large picture of a cracked
television test card in the center of the screen with a text box that reads
"The All Devouring Pop Culture Wiki", along with a centered block of
text titles "Welcome to TVTropes". The intro blurb has the previously
stated quote from the introduction, but then goes on to read "The wiki is
called "TVTropes" because TV is where we started. Over the course of
a few years, our scope has crept out to include other media. Tropes transcend
television. They reflect life. Since a lot of art, especially the popular arts,
does its best to reflect life, tropes are likely to show up everywhere".
It is from here, that a new user to the site can get a very good idea on both
what this site has to offer as well as what applications one may do with the
knowledge obtained by the site. Moving on the next most noticeable thing on the
landing page is the TVTropes' logo. The logo is somewhat minimalistic, in where
the lowercase letters 'tv' are off centered with the 't' having a lampshade
[lampshade hanging] on it. The logo is in an outlined box, with the text "
Learn about the Lampshade Hanging in TVTropes' Logo". The logo itself serves
a ternary purpose, it demonstrates the casualness of the website via a visual
gag, provides an opportunity for a novice to learn about the logo, and
simultaneously provides a sample of the structure of the website (which will be
expanded on later). The ladder two examples also provide an opportunity of
mentorship, which contributes to a successful participatory culture which is an
essential for a successful digital culture (Rheingold 113). The landing page
also provides various links with somewhat quirky names such as SugarWiki (which
takes you to a page with links to upbeat and 'cheerful' trope article links),
DarthWiki (which in contrast takes you to a page with 'darker' and 'edgier'
trope articles), a button at the top of the page that will take you to a random
trope article, and various other tabs of
this nature. All of these features are
located on the homepage, and as such are the first things that users both new
and old will see. Regardless of the fact that the website is still a wiki, it
immediately manages to distinguish itself from others through the use of a non
standard format for wikis. First impressions, while possible to change, are
very hard to change without active participation from the subject (Mann et al.
845). The homepage of TVTropes sets the precedent, gives an introduction to
what the main idea of the website is, as well as some exploratory tools for new
users to get started. However, it should be noted that the website recently
received a new update and used to have an introduction that also accurately
represented the non-formal borderline sarcastic vernacular used on the site and
by its various articles.
Articles:
Tropes
The articles
themselves contain the trope title, a description, and a generalized example of
the trope. It should be noted that they do not necessarily always appear in
that order. The vernacular used in the articles is somewhat different from the
vernacular of a typical wiki. All articles are written on a very informal
fashion, with heavy usage of other tropes used in context. It is not rare to
find an article with a minimum of 5 article links with proper usage of the
linked article. While the hyper linked articles are aliased in a way that makes
the tropes usage very obvious, it may be somewhat overwhelming to a newcomer. I
personally find this weird as the homepage is seemingly quite friendly to new
users. The articles are also not afraid to hold an intellectual tone, even
sometimes becoming philosophical in nature. For example, in the article page
for 'Rule of Three', "Sometimes called trebling, the Rule of Three is a
pattern used in stories and jokes, where part of the story is told three times,
with minor variations. The first two instances build tension, and the third
releases it by incorporating a twist... The Rule of Three may be a subtrope of
a more general psychological phenomenon, as threes are well-noted in all forms
of culture. Films, books and plays come in trilogies. They have a Three Act
Structure, a Beginning, Middle and End. Counts of three elements are used
widely in rhetoric, writing and myth: "Ready, aim, fire", "Veni,
Vidi, Vici", "Lights, camera, action", "Reading, 'riting,
'rithmetic," "rhetoric, writing and myth". Just try and think
about how many times you've heard the phrase "On the count of three... (TVTropes,
'The Rule of Three')". The excerpt demonstrates all of the previously
discussed points. This is the style in which the articles on the site are in.
To which I bring up the previous point, this website is in fact a wiki. In other
words, all articles are a culmination of various contributor's work into a
single cohesive article. Which makes the use of this encouraged vernacular even
more unique, as anyone is permitted to edit any article. The use of what is
called 'spoiler text', or the use of a removable censor bar, is also used. This
is implemented due to the fact that topes are writing mechanisms, and the
presence of a trope (or more commonly the stated reason for a tropes existence)
may denote an important plot point for a narrative. From this we can assume
that the general user base has some sort of respect for the community and what
TVTropes wants to be.
Articles:
Media
Tropes, by
definition, can only exist with the context of some sort of narrative. Which is
more often than not in the form of some sort of media. Hence, for the ease of
the user and to keep a more sensical database, TVTropes also has a wide variety
of media based articles ranging from internet topics to oral traditions and
everything in between. The current article structure contains a title with the
medium type (i.e. television, folktale, theatre, etc), the title of the media,
a short description, and a list of known tropes that the media contains. Each
article also contains a shortcut menu towards the top of the page that contains
links to the more commonly used categories of tropes. This streamlines the
media type articles, for if all of the tropes contained in a series was listed
in on a single page without the use of any organization or file architecture
(especially with some of the longer running pieces of media such as The
Simpsons or Harry Potter), the article may be too large. As Rach puts it,
"Too much content makes things harder to find (8)". This ring true
for multiple reasons, for example it would prove to be intimidating to new
users, too much information pain for avid users to retrieve information from,
and problematic for editors and contributors to improve. As with the trope
articles, spoiler text and the use of hyperlinks are also used for the same
reasons. The media based articles purpose is to help pull the website together.
Even though the website's purpose is to catalog tropes and their definitions,
tropes by definition only exist in narrative. The logical progression of this
would be the inclusion of the various media that tropes exist in, hence the
creation and use of these media based articles. Moreover, the presence of these
articles helps the overall experience of the end user.
Forums
TVTropes also has
easy access to various forums. These forums provide standard support styled
thread topics such as trope revision or trope questions, and also provide
social styled topics such as threads involving the NFL, LGBT issues, and
regional politics. Immediately, this website distinguishes itself from other
sites by covering such a large array of topics. The forum setup is very similar
to how a traditional forum is setup. There is a central 'hub' page that
contains links to many different topics and there are threads within each topic
for various issues or conversations for users to take part in. Elaborating on
the 'support' styled threads, the support styled threads have a main focus on
helping new users become acclimated to the site, competent users are free to
ask questions about the usage of tropes, and avid users may edit or add
content. These support forums encourage both new and old users to come together
and interact with each other, which is imperative for the continuation of a
social media website (Rheingold 206). Moreover, these support forums also offer
an easy method of information seeking, which according to researchers is an
important success factor in the perseverance of a social media site (Guo et al.
758). As mentioned before, there are also general topic threads as well. These
threads don't necessarily have a centralized purpose, as that categorization
belongs to the earlier explained support focused threads. No, these threads
fall more under the category of 'all that is not centralized', with the
previously mentioned thread topics serving as proof that these threads may have
very little or nothing in common. While some may be able to argue that this may
detract from the website, the wide variety of topics covered in these forums
may actually heavily contribute to the retention of users. The wide variety
provides a higher chance that the user will find something that he or she is
familiar with, and familiarity is an important factor in encouraging active and
continued participation in a network (Taha et al. 7). These forums provide a
helpful place to newcomers, an civil place for discussion for older members, a
place for the experienced members to share their knowledge, and a place for the
casual user to hang out or discuss non-trope related issues. It successfully
provides a level of user participation that the main site cannot provide on its
own, but more importantly does it in a way that makes sense and does it
effectively/
Conclusion
The website TVTropes
is a smaller website, but despite its size still manages to demonstrate all of
the hallmarks of a successful digital writing environment. It is very user
friendly, provides a method of successfully conveying ideas while keeping
opinions separate, goes to great lengths to improve the user end experience,
and provides a way for participants to be both active and consistent in their
participation. TVTropes goes to great lengths to ensure that anyone interested
in the subject of tropes has the ability to learn more about them, and that the
random passerby will stick around for at least a little while to explore the
novelty that is this site. It should be noted that the website was updated in
the process of the writing of this paper to a debatably better format. While
the paper does reflect the changes, this paper does not necessarily reflect the
changes made after the writing of this paper.
References
Bulman, Colin.
Creative Writing : A Guide And Glossary To Fiction Writing. n.p.: Cambridge, [England] ; Malden, MA :
Polity, 2007., 2007. UCF Libraries Catalog. Web.
16 Feb. 2016.
"Trope."
Merriam-Webster.com. Merriam-Webster, 2016. Web. 2 February 2016.
Hardy, Gareth.
Smashing Logo Design. Wiley, 2011. 17 February 2016
Rheingold, Howard.
Net Smart: How to Thrive Online. Cambridge, MA: MIT, 2012. Print.
Mann, Thomas C., and
Melissa J. Ferguson. "Can We Undo Our First Impressions? The Role Of Reinterpretation In Reversing
Implicit Evaluations." Journal Of Personality
& Social Psychology 108.6 (2015):
823-849. Business Source Premier.
Web. 24 Feb. 2016.
"The Rule of
Three" TVTropes.org. TVTropes, 2016. Web. 2 March 2016.
Halvorson, Kristina,
and Melissa Rach. Content Strategy for the Web. Berkeley, CA:
New Riders, 2012. Print.
Guo, Junpeng,
Zengguang Liu, and Yu Liu. "Full Length Article: Key Success Factors For The Launch Of Government Social Media Platform: Identifying
The Formation Mechanism Of Continuance
Intention." Computers In Human Behavior
55.Part B (2016): 750-763. ScienceDirect. Web. 4 Mar. 2016.
Taha, Diane E., Sally
O. Hastings, and Elizabeth M. Minei. "Shaping Student Activists: Discursive Sensemaking Of Activism And
Participation Research." Journal Of The
Scholarship Of Teaching And Learning 15.6 (2015): 1-15. ERIC. Web. 4 Mar. 2016.
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